Charles Rennie Mackintosh 1868-1928

Scottish architect and designer who was prominent in the Arts and Crafts Movement in Great Britain. He was apprenticed to a local architect, John Hutchinson, and attended evening classes at the Glasgow School of Art. In 1889 he joined the firm of Honeyman and Keppie, becoming a partner in 1904.
In collaboration with three other students, one of whom, Margaret Macdonald, became his wife in 1900, Mackintosh achieved an international reputation in the 1890s as a designer of unorthodox posters, craftwork, and furniture. In contrast to contemporary fashion his work was light, elegant, and original, as exemplified by four remarkable tearooms he designed in Glasgow and other domestic interiors of the early 1900s.
Mackintosh’s chief architectural projects were the Glasgow School of Art (1896–1909), considered the first original example of Art Nouveau architecture in Great Britain. By 1914 he had virtually ceased to practice and thereafter devoted himself to watercolour painting.
Although Mackintosh was nearly forgotten for several decades, the late 20th century saw a revival of interest in his work. The stark simplicity of his furniture designs, in particular, appealed to contemporary taste, and reproductions of Mackintosh chairs and settees began to be manufactured. The Mackintosh House in Glasgow was reconstructed and opened to the public as a museum in the late 1970s.

I have studied the design of Mackintoshe's chairs carefully, because I was asked to desing a chair in his style, which was using shapes like flora or fauna. I quite enjoy this project as this was the first artist I have studiet who was inspired by nature. I had a variety range of choice and I was coming up with more ideas than for the other projects as I could mix tree curvy shapes for back and leafs for the sit.