David Downton was born in Kent, in the south of England in 1959. He studied illustration and graphics at Woleverhampton from 1979 to 1981. A the age of 24 he moved to Brighton and began his illustration career. H worked on a wide variety of projects ranging from advertising and packaging
to illustrating fiction, cook books and, occasionally, fashion till 1996. In the same year David was asked to draw at the Paris couture shows by the Financial Times. Since then be became world famous fashion illustrator and his reports from the shows have been seen internationally.
Downtow was wroking for Vogue, Tiffany & Co, Topshop, Chanel, Dior, L'Oreal and many more. In 1998, he began working on a portfolio of portraits of the
world’s most beautiful women like Erin O’Connor, Paloma Picasso, Catherine Deneuve, Linda Evangelista, Carmen Dell'Orefice, Iman and Dita Von Teese.
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Tuesday, 18 December 2012
Sunday, 9 December 2012
Charles Rennie Mackintosh 1868-1928
In collaboration with three other students, one of whom, Margaret Macdonald, became his wife in 1900, Mackintosh achieved an international reputation in the 1890s as a designer of unorthodox posters, craftwork, and furniture. In contrast to contemporary fashion his work was light, elegant, and original, as exemplified by four remarkable tearooms he designed in Glasgow and other domestic interiors of the early 1900s.
Mackintosh’s chief architectural projects were the Glasgow School of Art (1896–1909), considered the first original example of Art Nouveau architecture in Great Britain. By 1914 he had virtually ceased to practice and thereafter devoted himself to watercolour painting.
Although Mackintosh was nearly forgotten for several decades, the late 20th century saw a revival of interest in his work. The stark simplicity of his furniture designs, in particular, appealed to contemporary taste, and reproductions of Mackintosh chairs and settees began to be manufactured. The Mackintosh House in Glasgow was reconstructed and opened to the public as a museum in the late 1970s.
I have studied the design of Mackintoshe's chairs carefully, because I was asked to desing a chair in his style, which was using shapes like flora or fauna. I quite enjoy this project as this was the first artist I have studiet who was inspired by nature. I had a variety range of choice and I was coming up with more ideas than for the other projects as I could mix tree curvy shapes for back and leafs for the sit.
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